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We've saved the most storied focal length for last. Wrapping up our multi-part in-depth look at Leica M lenses, this episode is completely dedicated to 50mm focal length M lenses. We've amassed a comprehensive collection from over 66 years of Leica 50mm M legacy. From the numerous generations of standard Summicrons all the way to modern marvels like the 50mm APO-Summicron and exotic Noctiluxes, we'll discuss all the available Leica M lens options in 50mm focal length.

Visit https://reddotforum.com for the latest Leica news, reviews, technical articles and more.

Support the channel by shopping at https://leicastoremiami.com.

Check out David's personal work at https://instagram.com/davidfarkasphotography

Thanks to LHSA: The International Leica Society for helping us out with gear for this episode: https://lhsa.org/

Where to buy
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New M Lenses: https://lsm.to/M-Lenses

Used M lenses: https://lsm.to/Used-M-Lenses

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Timestamps
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0:00 – Intro
5:58 – What’s going to make me choose a 50mm over another focal length?
10:10 – What should I consider first if I want to start a 50mm collection?
15:43 – Please get into a deep discussion of the 50mm Noctilux and the current 50mm Summilux
21:45 – Comparisons between 50mm Noctilux and 50mm APO-M
24:30 – Even though the Summilux 50mm was designed in the early 2000s, how does it manage in the digital era?
31:33 – The 50mm APO-M is a summicron and not a summillux. Why is it so expensive?
35:00 – Can you talk about 50mm Summicron v2?
37:40 – I’m on the cusp of buying my first 50mm lens and leaning towards the 50mm Summicron v5. How big of a problem is the lens flare on it?
43:40 – From your testing, does the 50mm Summilux-M ASPH have APO like performance?
45:25 – 50mm Summicron-M APO “Red anodized”
47:22 – 50mm Summicron-M v5 “Safari Edition”
47:45 – 50mm Summicron-M v5 “Jahre Edition”
48:10 – 50mm APO Summicron-M silver chrome “LHSA Edition”
48:40 – Leica M10-P “White Edition” with 50mm Summilux-M
51:10 – In your opinion, what is the best 50mm M lens to couple with the SL2?
57:35 – What is a CLA?
59:22 – 50mm APO or 28mm Summilux for M10 Monochrom?
1:01:15 – Comments on quality improvement from 50mm f/1 Noctilux to f/0.95 Noctilux
1:08:15 – Can you explain the differences between the 50mm Summilux black chrome and black?
1:12:30 – Is the 50mm f/0.95 Noctilux optimal for digital sensors even though it was designed in 2008?
1:13:45 – Is it advisable to use UV filters on Noctilux and Summilux lenses? Does it affect performance?
1:17:40 – Which filter do you consider essential to use on the 50mm Noctilux-M?
1:25:07 – Silver chrome brass rear M cap
1:29:20 – 50mm Summicron Dual Range
1:32:15 – Any advice on street photography with a 50mm lens?
1:33:50 – Which of those lenses are made in Canada?
1:35:35 – Is there a push on cap for the 50mm Summilux f/1.4 ASPH?
1:36:16 – Can you address minimum focusing distance among 50mm M lenses?
1:38:35 – Collapsible 50mm lenses
1:45:15 – Why do none of the 50mm M lenses stop down to f/22?
1:48:40 – Which 50mm M lens would you use for astrophotography?
1:50:25 – Could you purchase a silver hood and cap for the Summilux 50mm ASPH?
1:58:30 – Is it easier to shoot the 50mm Summilux f/1.4 on an M with a Visoflex or SL with M-adapter-L?
2:04:04 – Any thoughts on the Tri-Elmar M lens?
2:05:10 – Favorite 50mm M lens?
2:08:30 – Differences between 50mm Summicron v3 and v4?
2:12:40 – 50mm Summilux-M v3 Pre ASPH “Black Paint”
2:14:00 – Leica 50mm Summarit f/1.5

About The Author

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Kirsten is a Leica Specialist with Leica Store Miami. She's originally from Minnesota, but much prefers the sunshine and warmth of South Florida. Kirsten loves photography, which she studied at Rochester Institute of Technology, graphic design, her growing cat collection, traveling, movies with mythical creatures and, of course, coffee.

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